Difference between revisions of "Women’s Co-operative Printing Union"

(consolidated carrier dove page to this one, changed previous document to connect on sixth star loop)
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[[Image:Womenprinting grayscale.jpg]]
 
[[Image:Womenprinting grayscale.jpg]]
  
''from [[The Sixth Star|The Sixth Star]]''
+
''Image in [[The Sixth Star|The Sixth Star]] from ''West Coast Journal, May 18, 1870'' sourced at Bancroft Library''
  
 
In this advertisement for the Women’s Co-operative Printing Union in Carrie Young’s ''West Coast Journal,'' May 18, 1870, note the name, L. Curtis, right at the hemline of the printer’s skirt. As teenagers, Leila Curtis and her sister Mary became fascinated with the process of copper engraving. Both parents, having a background in engraving, encouraged their daughters’ interest. Soon the sisters opened an engraving shop in the carriage house of their San Francisco home at 1117 Pine Street. Mary became the draughtsman, i.e., the artist, and Leila, the block-cutter. That endeavor led to a shop downtown and eventually a partnership called Crane and Curtis (1871). Mary withdrew from the business when she married Thomas Richardson in 1869. Her life’s work became painting; the Richardson house became a mecca for artists and writers. Mary Curtis Richardson became a well known, and very successful portraitist. When Leila married the New York portraitist Benoni Irving (1886), it was clear both sisters again, as in their early life, shared the rich, productive world of art. Another fascinating part of the Curtis history pertains, possibly, to mother Ceilia. A Celia Curtis, note the different name spelling, was one of the July, 1869 patriots who pioneered the California Woman’s Suffrage Association. Could it be that Ceilia and Celia were one and the same early suffragist in San Francisco?
 
In this advertisement for the Women’s Co-operative Printing Union in Carrie Young’s ''West Coast Journal,'' May 18, 1870, note the name, L. Curtis, right at the hemline of the printer’s skirt. As teenagers, Leila Curtis and her sister Mary became fascinated with the process of copper engraving. Both parents, having a background in engraving, encouraged their daughters’ interest. Soon the sisters opened an engraving shop in the carriage house of their San Francisco home at 1117 Pine Street. Mary became the draughtsman, i.e., the artist, and Leila, the block-cutter. That endeavor led to a shop downtown and eventually a partnership called Crane and Curtis (1871). Mary withdrew from the business when she married Thomas Richardson in 1869. Her life’s work became painting; the Richardson house became a mecca for artists and writers. Mary Curtis Richardson became a well known, and very successful portraitist. When Leila married the New York portraitist Benoni Irving (1886), it was clear both sisters again, as in their early life, shared the rich, productive world of art. Another fascinating part of the Curtis history pertains, possibly, to mother Ceilia. A Celia Curtis, note the different name spelling, was one of the July, 1869 patriots who pioneered the California Woman’s Suffrage Association. Could it be that Ceilia and Celia were one and the same early suffragist in San Francisco?
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[[Image:Carrier dove.jpg]]
 
[[Image:Carrier dove.jpg]]
  
''from [[The Sixth Star|The Sixth Star]]''
+
''Image in [[The Sixth Star|The Sixth Star]], sourced at San Francisco History Center, San Francisco Public Library''
  
 
Mrs. Julia Stevens Fish Schlesinger, editor and publisher of ''The Carrier Dove,'' formerly a Spiritualist weekly for children, expanded her Oakland publishing business to San Francisco in 1870. The Women’s Co-operative Printing Union landed this plum of a commission. Soon, ''The Carrier Dove'' was second only to [[Emily Pitts Stevens|Emily Pitts Stevens]]’ ''The Pioneer,'' the first suffrage publication in the West. ''The Dove,'' therefore, pushed forward women’s right to vote in California.
 
Mrs. Julia Stevens Fish Schlesinger, editor and publisher of ''The Carrier Dove,'' formerly a Spiritualist weekly for children, expanded her Oakland publishing business to San Francisco in 1870. The Women’s Co-operative Printing Union landed this plum of a commission. Soon, ''The Carrier Dove'' was second only to [[Emily Pitts Stevens|Emily Pitts Stevens]]’ ''The Pioneer,'' the first suffrage publication in the West. ''The Dove,'' therefore, pushed forward women’s right to vote in California.

Latest revision as of 15:37, 11 March 2013

Unfinished History

by Mae Silver, excerpted from The Sixth Star

Womenprinting grayscale.jpg

Image in The Sixth Star from West Coast Journal, May 18, 1870 sourced at Bancroft Library

In this advertisement for the Women’s Co-operative Printing Union in Carrie Young’s West Coast Journal, May 18, 1870, note the name, L. Curtis, right at the hemline of the printer’s skirt. As teenagers, Leila Curtis and her sister Mary became fascinated with the process of copper engraving. Both parents, having a background in engraving, encouraged their daughters’ interest. Soon the sisters opened an engraving shop in the carriage house of their San Francisco home at 1117 Pine Street. Mary became the draughtsman, i.e., the artist, and Leila, the block-cutter. That endeavor led to a shop downtown and eventually a partnership called Crane and Curtis (1871). Mary withdrew from the business when she married Thomas Richardson in 1869. Her life’s work became painting; the Richardson house became a mecca for artists and writers. Mary Curtis Richardson became a well known, and very successful portraitist. When Leila married the New York portraitist Benoni Irving (1886), it was clear both sisters again, as in their early life, shared the rich, productive world of art. Another fascinating part of the Curtis history pertains, possibly, to mother Ceilia. A Celia Curtis, note the different name spelling, was one of the July, 1869 patriots who pioneered the California Woman’s Suffrage Association. Could it be that Ceilia and Celia were one and the same early suffragist in San Francisco?

Carrier dove.jpg

Image in The Sixth Star, sourced at San Francisco History Center, San Francisco Public Library

Mrs. Julia Stevens Fish Schlesinger, editor and publisher of The Carrier Dove, formerly a Spiritualist weekly for children, expanded her Oakland publishing business to San Francisco in 1870. The Women’s Co-operative Printing Union landed this plum of a commission. Soon, The Carrier Dove was second only to Emily Pitts StevensThe Pioneer, the first suffrage publication in the West. The Dove, therefore, pushed forward women’s right to vote in California.

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