El Sexto Sol Shines For You - Revision history

Ccarlsson at 04:40, 22 November 2021

2021-11-22T04:40:09Z

← Older revision		Revision as of 21:40, 21 November 2021
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	[[The Tropics of Pocho-Ché \|Prev. Document]] [[New Mission Poesía of the '80s \|Next Document]]		[[The Tropics of Pocho-Ché \|Prev. Document]] [[New Mission Poesía of the '80s \|Next Document]]

	[[category:Literary San Francisco]] [[category:Latino]] [[category:Mission]] [[category:1970s]] [[category:Public Art]]		[[category:Literary San Francisco]] [[category:Latino]] [[category:Mission]] [[category:1970s]] [[category:Public Art]] [[category:Reclaiming San Francisco]]

Ccarlsson at 06:50, 31 May 2018

2018-05-31T06:50:52Z

← Older revision		Revision as of 23:50, 30 May 2018
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	'''Poster for Festival de Sexto Sol, 1970.'''		'''Poster for Festival de Sexto Sol, 1970.'''

	''Image: San Francisco Arts Commission''		''Image: Joe Ramos, courtesy San Francisco Arts Commission''

	With the ''Sexto Sol'' Conference, the [[The Tropics of Pocho-Ché\|Pocho-Ché]] poet rebels regrouped with others and launched the first and possibly last attempt at re-figuring La Missión as a Green Center.		With the ''Sexto Sol'' Conference, the [[The Tropics of Pocho-Ché\|Pocho-Ché]] poet rebels regrouped with others and launched the first and possibly last attempt at re-figuring La Missión as a Green Center.

Ccarlsson: added Sexto Sol poster

2018-05-26T21:25:47Z

added Sexto Sol poster

← Older revision		Revision as of 14:25, 26 May 2018
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	''by Juan Felipe Herrera''		''by Juan Felipe Herrera''

	[[Image:~~litersf1$tin~~-~~tan~~-~~journal~~-~~cover~~.jpg]]		[[Image:Festivazl-de-Sexto-Sol.jpg]]

	'''~~Cover of~~ ''~~Tin Tan~~''~~, Summer 1977~~'''		'''Poster for Festival de Sexto Sol, 1970.'''

			''Image: San Francisco Arts Commission''

	With the ''Sexto Sol'' Conference, the [[The Tropics of Pocho-Ché\|Pocho-Ché]] poet rebels regrouped with others and launched the first and possibly last attempt at re-figuring La Missión as a Green Center.		With the ''Sexto Sol'' Conference, the [[The Tropics of Pocho-Ché\|Pocho-Ché]] poet rebels regrouped with others and launched the first and possibly last attempt at re-figuring La Missión as a Green Center.

Ccarlsson: added Nina Serrano video

2017-09-11T21:07:46Z

added Nina Serrano video

← Older revision		Revision as of 14:07, 11 September 2017
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	''courtesy Roberto Vargas''		''courtesy Roberto Vargas''

			<iframe src="https://archive.org/embed/NinaSerranoLatinoPoetryScene1970s" width="640" height="480" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe>

			'''Nina Serrano, interviewed in April 2016, describing the evolution of the Bay Area Latino poetry scene from 1968 through the El Sexto Sol conference at Stanford and the many luminaries who contributed to it all.'''

			''Video: Shaping San Francisco''

	''Sexto Sol'' was a collective occasion of cultural cross-overs and political affirmations. Jazz riffs, dance and ''salsa'' music: two folklorico ballet groups, four political teatros, ''Teatro de Los Mascarones, Los Topos ''from Mexico City and ''Teatro Cena ''and'' Teatro de La Gente'' from the Bay Area. Among the critics were Carlos Monsivais--also from Mexico City--and Jean Franco, Fernando Alegría and Arturo Madrid. Some of the Bay Area writers represented were poets such as Avotja, David Henderson, Carol Lee Sanchez, Dorinda Moreno, Natalia Rivas, Alejandro Murguía, Roberto Vargas, Nina Serrano, Victor Hernandez Cruz, Alurista and myself. Enriquetta Vasquez from New Mexico and Ricardo Sanchez from Texas stood up for the heartlands of the Southwest. There were also various music groups such as "Kafala" and "Spice"--sixty in total--inspired the moment. We were armed with a thick set of voices, tropical categories for our word and the prism of Red poetics. Did we have to choose one over the other, would we stray, continue into a more radical form?		''Sexto Sol'' was a collective occasion of cultural cross-overs and political affirmations. Jazz riffs, dance and ''salsa'' music: two folklorico ballet groups, four political teatros, ''Teatro de Los Mascarones, Los Topos ''from Mexico City and ''Teatro Cena ''and'' Teatro de La Gente'' from the Bay Area. Among the critics were Carlos Monsivais--also from Mexico City--and Jean Franco, Fernando Alegría and Arturo Madrid. Some of the Bay Area writers represented were poets such as Avotja, David Henderson, Carol Lee Sanchez, Dorinda Moreno, Natalia Rivas, Alejandro Murguía, Roberto Vargas, Nina Serrano, Victor Hernandez Cruz, Alurista and myself. Enriquetta Vasquez from New Mexico and Ricardo Sanchez from Texas stood up for the heartlands of the Southwest. There were also various music groups such as "Kafala" and "Spice"--sixty in total--inspired the moment. We were armed with a thick set of voices, tropical categories for our word and the prism of Red poetics. Did we have to choose one over the other, would we stray, continue into a more radical form?

Lisaruth: added internal link

2016-10-18T22:32:11Z

added internal link

← Older revision		Revision as of 15:32, 18 October 2016
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	'''Cover of ''Tin Tan'', Summer 1977'''		'''Cover of ''Tin Tan'', Summer 1977'''

	With the ''Sexto Sol'' Conference, the Pocho-Ché poet rebels regrouped with others and launched the first and possibly last attempt at re-figuring La Missión as a Green Center.		With the ''Sexto Sol'' Conference, the [[The Tropics of Pocho-Ché\|Pocho-Ché]] poet rebels regrouped with others and launched the first and possibly last attempt at re-figuring La Missión as a Green Center.

	Alejandro and Roberto had met with Stanford University supporters, Fernando Alegría and Jean Franco, various student organizations headed by ''MECHA ''and had agreed to hold the ''Sexto Sol'' event at three sites during March 30, 31 and April 1: Stanford, San Francisco State and the Palace of Fine Arts in San Francisco overlooking the Golden Gate Bridge.		Alejandro and Roberto had met with Stanford University supporters, Fernando Alegría and Jean Franco, various student organizations headed by ''MECHA ''and had agreed to hold the ''Sexto Sol'' event at three sites during March 30, 31 and April 1: Stanford, San Francisco State and the Palace of Fine Arts in San Francisco overlooking the Golden Gate Bridge.

Ccarlsson: added new photo

2013-02-15T08:42:56Z

added new photo

← Older revision		Revision as of 01:42, 15 February 2013
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	''Sexto Sol'' was a collective occasion of cultural cross-overs and political affirmations. Jazz riffs, dance and ''salsa'' music: two folklorico ballet groups, four political teatros, ''Teatro de Los Mascarones, Los Topos ''from Mexico City and ''Teatro Cena ''and'' Teatro de La Gente'' from the Bay Area. Among the critics were Carlos Monsivais--also from Mexico City--and Jean Franco, Fernando Alegría and Arturo Madrid. Some of the Bay Area writers represented were poets such as Avotja, David Henderson, Carol Lee Sanchez, Dorinda Moreno, Natalia Rivas, Alejandro Murguía, Roberto Vargas, Nina Serrano, Victor Hernandez Cruz, Alurista and myself. Enriquetta Vasquez from New Mexico and Ricardo Sanchez from Texas stood up for the heartlands of the Southwest. There were also various music groups such as "Kafala" and "Spice"--sixty in total--inspired the moment. We were armed with a thick set of voices, tropical categories for our word and the prism of Red poetics. Did we have to choose one over the other, would we stray, continue into a more radical form?		''Sexto Sol'' was a collective occasion of cultural cross-overs and political affirmations. Jazz riffs, dance and ''salsa'' music: two folklorico ballet groups, four political teatros, ''Teatro de Los Mascarones, Los Topos ''from Mexico City and ''Teatro Cena ''and'' Teatro de La Gente'' from the Bay Area. Among the critics were Carlos Monsivais--also from Mexico City--and Jean Franco, Fernando Alegría and Arturo Madrid. Some of the Bay Area writers represented were poets such as Avotja, David Henderson, Carol Lee Sanchez, Dorinda Moreno, Natalia Rivas, Alejandro Murguía, Roberto Vargas, Nina Serrano, Victor Hernandez Cruz, Alurista and myself. Enriquetta Vasquez from New Mexico and Ricardo Sanchez from Texas stood up for the heartlands of the Southwest. There were also various music groups such as "Kafala" and "Spice"--sixty in total--inspired the moment. We were armed with a thick set of voices, tropical categories for our word and the prism of Red poetics. Did we have to choose one over the other, would we stray, continue into a more radical form?

			[[Image:Sexto-sol-organizers-Nina-Serrano-and-Fernando-Alegria-at-Stanford.jpg\|720px\|thumb]]

			'''Nina Serrano, middle, and Fernando Alegria, right, at Stanford during Sexto Sol in 1970.'''

			''Image: courtesy Nina Serrano''

	On February 5, 1970, Vargas writes of a visit to the ''Sexto Sol ''Conference site--the Palace of Fine Arts that sits by the Marina facing the Golden Gate.		On February 5, 1970, Vargas writes of a visit to the ''Sexto Sol ''Conference site--the Palace of Fine Arts that sits by the Marina facing the Golden Gate.

Ccarlsson: added some photos from Roberto Vargas's Facebook page

2010-09-06T05:32:43Z

added some photos from Roberto Vargas's Facebook page

← Older revision		Revision as of 22:32, 5 September 2010
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	''The Festival Del Sexto Sol is a reality ''		''The Festival Del Sexto Sol is a reality ''

	''Meztizo Prophets gathering en la baha to define ~~liberacin~~ in all		''Meztizo Prophets gathering en la baha to define liberacion in all

	''dialects (Pocho-Spanish) Che saw this when he was Sandino when		''dialects (Pocho-Spanish) Che saw this when he was Sandino when

Ccarlsson: added some photos from Roberto Vargas's Facebook page

2010-09-06T05:31:55Z

added some photos from Roberto Vargas's Facebook page

← Older revision		Revision as of 22:31, 5 September 2010
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	Alejandro and Roberto had met with Stanford University supporters, Fernando Alegría and Jean Franco, various student organizations headed by ''MECHA ''and had agreed to hold the ''Sexto Sol'' event at three sites during March 30, 31 and April 1: Stanford, San Francisco State and the Palace of Fine Arts in San Francisco overlooking the Golden Gate Bridge.		Alejandro and Roberto had met with Stanford University supporters, Fernando Alegría and Jean Franco, various student organizations headed by ''MECHA ''and had agreed to hold the ''Sexto Sol'' event at three sites during March 30, 31 and April 1: Stanford, San Francisco State and the Palace of Fine Arts in San Francisco overlooking the Golden Gate Bridge.

			[[Image:On our way to Satanford for Festival Del Sexto Sol later UC Berkeley, SF State U 34514 1519923444498 1426890670 31377573 2819295 n.jpg]]

			[[Image:Nina Serrano, Victor Hernandez Cruz, Roberto Vargas, Alejandro Murguia, y amiga 37416 1519922284469 1426890670 31377569 1632915 n.jpg]]

			'''Nina Serrano, Victor Hernandez Cruz, Roberto Vargas, Alejandro Murguia, and a friend, on the the way to Satanford for the Festival Del Sexto Sol.'''

			''courtesy Roberto Vargas''

	''Sexto Sol'' was a collective occasion of cultural cross-overs and political affirmations. Jazz riffs, dance and ''salsa'' music: two folklorico ballet groups, four political teatros, ''Teatro de Los Mascarones, Los Topos ''from Mexico City and ''Teatro Cena ''and'' Teatro de La Gente'' from the Bay Area. Among the critics were Carlos Monsivais--also from Mexico City--and Jean Franco, Fernando Alegría and Arturo Madrid. Some of the Bay Area writers represented were poets such as Avotja, David Henderson, Carol Lee Sanchez, Dorinda Moreno, Natalia Rivas, Alejandro Murguía, Roberto Vargas, Nina Serrano, Victor Hernandez Cruz, Alurista and myself. Enriquetta Vasquez from New Mexico and Ricardo Sanchez from Texas stood up for the heartlands of the Southwest. There were also various music groups such as "Kafala" and "Spice"--sixty in total--inspired the moment. We were armed with a thick set of voices, tropical categories for our word and the prism of Red poetics. Did we have to choose one over the other, would we stray, continue into a more radical form?		''Sexto Sol'' was a collective occasion of cultural cross-overs and political affirmations. Jazz riffs, dance and ''salsa'' music: two folklorico ballet groups, four political teatros, ''Teatro de Los Mascarones, Los Topos ''from Mexico City and ''Teatro Cena ''and'' Teatro de La Gente'' from the Bay Area. Among the critics were Carlos Monsivais--also from Mexico City--and Jean Franco, Fernando Alegría and Arturo Madrid. Some of the Bay Area writers represented were poets such as Avotja, David Henderson, Carol Lee Sanchez, Dorinda Moreno, Natalia Rivas, Alejandro Murguía, Roberto Vargas, Nina Serrano, Victor Hernandez Cruz, Alurista and myself. Enriquetta Vasquez from New Mexico and Ricardo Sanchez from Texas stood up for the heartlands of the Southwest. There were also various music groups such as "Kafala" and "Spice"--sixty in total--inspired the moment. We were armed with a thick set of voices, tropical categories for our word and the prism of Red poetics. Did we have to choose one over the other, would we stray, continue into a more radical form?

Ccarlsson: Protected "El Sexto Sol Shines For You": excerpted essay [edit=sysop:move=sysop]

2009-01-11T08:10:56Z

Protected "El Sexto Sol Shines For You": excerpted essay [edit=sysop:move=sysop]

← Older revision	Revision as of 01:10, 11 January 2009
(No difference)

Ccarlsson: PC and protected

2009-01-11T08:10:45Z

PC and protected

← Older revision		Revision as of 01:10, 11 January 2009
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			'''<font face = Papyrus> <font color = maroon> <font size = 4>Historical Essay</font></font> </font>'''

			''by Juan Felipe Herrera''

	[[Image:litersf1$tin-tan-journal-cover.jpg]]		[[Image:litersf1$tin-tan-journal-cover.jpg]]